• dh.elte.hu@gmail.com
  • 1088 Budapest, Múzeum krt. 6-8.


Emerson, L. (2014). Reading Writing Interfaces. From the Digital to the Bookbound. University of Minnesota Press.
Ernst, W. (2012). Digital Memory and the Archive. University of Minnesota Press.
Flusser, V. (2011). Does writing have a future? (N. A. Roth, Trans.). University of Minnesota Press.
Fraistat, N., & Flanders, J. (Eds.). (2013). The Cambridge companion to textual scholarship. Cambridge University Press.
Funkhouser, C. T. (2007). Prehistoric Digital Poetry. An Archaeology of Forms, 1959–1995. The University of Alabama Press.
Galloway, A. R., & Thacker, E. (2007). The Exploit A Theory of Networks. University of Minnesota Press.
Gitelman, L. (2006). Always Already New. Media, History, and the Data of Culture. The MIT Press.
Graves, M. W. (2014). Digital Archaeology – The Art and Science of Digital Forensics. Addison–Wesley.
Gumbrecht, H. U., & Pfeiffer, K. L. (Eds.). (1994). Materialities of Communication. Stanford University Press.
Hayles, N. K. (2012). How We Think – Digital Media and Contemporary Technogenesis. The University of Chicago Press.
Hayles, N. K. (2005). My mother was a computer – digital subjects and literary texts. The University of Chicago Press.
Hayles, N. K., & Pressman, J. (Eds.). (2013). Comparative Textual Media Transforming the Humanities in the Postprint Era. University of Minnesota Press.
Higgs, E. (Ed.). (1998). History and Electronic Artefacts. Oxford University Press.
Hui, Y. (2016). On the Existence of Digital Objects. University of Minnesota Press.
Ikoniadou, E., & Wilson, S. (Eds.). (2015). Media After Kittler. Rowman & Littlefield International, Ltd.
Kirschenbaum, M. (2016). Track Changes. A Literary History of Word Processing. Belknap Press.
Kirschenbaum, M. (2008). Mechanisms: New Media and the Forensic Imagination. The MIT Press.
Kirschenbaum, M., Ovenden, R., & Redwine, G. (2010). Digital Forensics and Born-Digital Content in Cultural Heritage Collections. Council on Library and Information Resources.
Kittler, F. (1992). Discourse Networks, 1800/1900. Stanford University Press.
Krapp, P. (2011). Noise Channels: Glitch and Error in Digital Culture. University of Minnesota Press.
McGann, J. J. (2006). The Scholar’s Art: Literary Studies in a Managed World. University Of Chicago Press.
Parikka, J. (2015). A Geology of Media. University of Minnesota Press.
Reside, D. (2014). File Not Found: Rarity in an Age of Digital Plenty. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage, 15(1), 68–74.
Ridener, J. (2009). From Polders to Postmodernism: A Concise History of Archival Theory. Litwin Books.
Ries, T. (2017). Philology and the Digital Writing Process.
Schnapp, J. T., & Battles, M. (2014). The Library Beyond the Book. Harvard University Press.
Sencar, H. T., & Memon, N. (Eds.). (2013). There is More to a Picture than Meets the Eye. Springer.
Siemens, R., & Schreibman, S. (Eds.). (2013). A Companion to Digital Literary Studies. Wiley and Blackwell.
Van Hulle, D. (2007). Textual Awareness – A Genetic Study of Late Manuscripts by Joyce, Proust, and Mann. The University of Michigan Press.
Wilken, R. (2014). Peter Carey’s Laptop. Cultural Studies Review, 20(1 March), 100–120.
Zielinski, S. (2013). [... After the Media] NEWS FROM THE SLOW-FADING TWENTIETH CENTURY. (G. Custance, Trans.). Univocal Publishing.
Zielinski, S. (2006). Deep Time of the Media Toward an Archaeology of Hearing and Seeing by Technical Means. (G. Custance, Trans.). The MIT Press.